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E major scale on piano: notes, chords and fingering in two octaves

The E major scale is a seven-note major scale that starts and ends on E and uses the notes E, F♯, G♯, A, B, C♯ and D♯. It has four sharps, which means you play four black keys on the piano, and it follows the same pattern of whole and half steps as every other major scale. Once your hands know where those black keys sit, E major becomes one of the most comfortable sharp scales to play.

It is also a key worth knowing. E major sounds bright and open, and you will meet it in classical favorites, rock anthems and countless guitar-led pop songs, because the guitar is tuned around E.

In this guide you will learn the notes of the E major scale, how the scale is built, its key signature in treble and bass clef, the chords it creates, and the fingering for each hand, hands together and over two octaves. We finish with songs in E major and a simple practice plan.

E major scale notes

The notes of the E major scale are E, F♯, G♯, A, B, C♯, D♯ and E again an octave higher. Four of them are black keys: F♯, G♯, C♯ and D♯. The other three, E, A and B, are white keys.

E major scale piano

A useful way to picture it on the keyboard: the black keys come in two groups. F♯ and G♯ are the first two keys of the group of three black keys, and C♯ and D♯ are the whole group of two. E major uses both groups, so your fingers move between white and black keys in a steady, predictable way.

How the E major scale is built

Every major scale follows the same formula of whole steps (W) and half steps (H): W – W – H – W – W – W – H. A half step is the very next key, black or white. A whole step skips one key. These two step sizes are the building blocks behind all piano scales for beginners, so once you know the formula you can build a major scale from any note.

e major scale whole half steps

Start on E and apply the formula: a whole step takes you to F♯, another whole step to G♯, then a half step to A. From A, three whole steps give you B, C♯ and D♯, and a final half step brings you back to E. That is why E major needs four sharps: without them, the pattern of steps would break.

E major scale degrees and intervals

Each note of the scale has a number and a name, called its scale degree. Knowing the scale degrees in music helps you talk about chords and melodies in any key. The interval column shows the distance from E to each note.

Degree Note Degree name Interval from E
1 E Tonic Unison
2 F♯ Supertonic Major 2nd
3 G♯ Mediant Major 3rd
4 A Subdominant Perfect 4th
5 B Dominant Perfect 5th
6 C♯ Submediant Major 6th
7 D♯ Leading tone Major 7th
8 E Tonic (octave) Perfect octave

These intervals are identical in every major scale, which is what gives major scales their shared, bright sound. Playing each of these piano intervals from E, one at a time, is a simple way to train your ear to hear what makes a scale sound major.

E major key signature: how many sharps?

The E major key signature has four sharps: F♯, C♯, G♯ and D♯, always written in that order. A popular memory aid for the order of sharps is “Father Charles Goes Down And Ends Battle”, where E major uses the first four words. When you see this key signature at the start of a piece, it tells you to play every F, C, G and D as a sharp unless an accidental says otherwise. The same logic applies to every key, and once key signatures make sense, you can name the key of a piece at a glance.

e major key signature

Two quick ways to recognize E major: the last sharp, D♯, sits a half step below the key’s name, E. And on the circle of fifths, E is four steps clockwise from C, one step for each sharp.

E major scale in treble clef

In treble clef, the E major scale starts on E on the bottom line, the E just above middle C, and climbs to E in the top space. If reading the lines and spaces still takes a moment, a quick review of treble clef notes makes this scale much easier to follow.

e major scale in treble clef

E major scale in bass clef

In bass clef, a comfortable left-hand E major scale starts on E on the first ledger line below the staff and finishes on E in the third space. It covers the same notes, just an octave or two lower. Scales like this one are a great way to get fluent with bass clef notes on piano, because every note appears in order.

e major scale in bass clef

Chords in the E major scale

Stack every other note of the scale on top of each scale degree and you get the seven chords that belong to the key of E major. They are called diatonic chords, and they are the chords most songs in E major use. The home chord is the E major piano chord: E, G♯ and B.

The 7 diatonic chords in E major

Roman numeral Chord Notes Type
I E E – G♯ – B Major
ii F♯m F♯ – A – C♯ Minor
iii G♯m G♯ – B – D♯ Minor
IV A A – C♯ – E Major
V B B – D♯ – F♯ Major
vi C♯m C♯ – E – G♯ Minor
vii° D♯dim D♯ – F♯ – A Diminished

e major diatonic chordsUpper-case numerals are major chords, lower-case are minor, and the small circle marks the diminished chord. The pattern of major, minor and diminished chords is the same in every major key, so once you learn it here, it transfers to all of them.

Common chord progressions in E major

A progression is a sequence of chords, and a handful of them power thousands of songs. Try these in E major, playing the chord in your right hand and the root note in your left. Every piano chord progression in this table works the same way in any major key, so you can move them to other scales later.

Progression In E major Where you hear it
I – IV – V E – A – B Rock and roll, folk and the 12-bar blues
I – V – vi – IV E – B – C♯m – A The “four-chord” pop progression, as in the opening of “Don’t Stop Believin'”
I – vi – IV – V E – C♯m – A – B 1950s ballads and doo-wop
ii – V – I F♯m – B – E Jazz standards and smooth endings

How to play the E major scale on piano

Good news if you already know the C major scale: E major uses exactly the same finger numbers in both hands. The thumb never lands on a black key, and the thumb crossings happen between a black key and a white key, which makes them easier to feel than in C major.

Right-hand fingering

Going up, the right hand plays 1 2 3 1 2 3 4 5. Play E, F♯ and G♯ with fingers 1, 2 and 3, then tuck your thumb under to land on A. Continue with B, C♯, D♯ and E using fingers 2, 3, 4 and 5. Coming down, reverse it: 5 4 3 2 1, then cross finger 3 over your thumb onto G♯, and finish with 2 and 1.

e major scale right hand fingering

Left-hand fingering

Going up, the left hand plays 5 4 3 2 1 3 2 1. Start with your little finger on E and walk up to B with your thumb. Then cross finger 3 over your thumb onto C♯, and finish D♯ and E with fingers 2 and 1. Coming down, the left hand plays 1 2 3, tucks the thumb under onto B, then plays 2 3 4 5 back down to E.

e major scale left hand fingering

Playing the E major scale hands together

Hands together is where most beginners get stuck, because the two hands change position at different moments. The trick is to find the notes where they match. In E major, going up, both hands play G♯ and C♯ with finger 3. Treat those two black keys as checkpoints: if both third fingers arrive together, everything in between is in the right place.

e major scale right and left hands together

The thumbs, on the other hand, never land together except on the first and last E. The right thumb moves to A while the left hand is still on finger 2, and the left thumb reaches B while the right hand is on finger 2. Practice this slowly, saying the finger numbers out loud, until the crossings stop surprising you.

Contrary motion shortcut

Start both thumbs on the same E and play outward: right hand up, left hand down. In contrary motion, both hands use the same finger on every note, 1 2 3 1 2 3 4 5, so it is the easiest way to play E major hands together for the first time.

E major scale in two octaves

To play two octaves, the thumb crosses one extra time in each hand. Instead of finishing with finger 5 at the top of the first octave, the right hand uses finger 4 on D♯ and passes the thumb to the next E. The left hand plays its thumb on the middle E and continues with finger 4 on F♯.

Hand Notes (going up) Fingering
Right hand E F♯ G♯ A B C♯ D♯ E F♯ G♯ A B C♯ D♯ E 1 2 3 1 2 3 4 1 2 3 1 2 3 4 5
Left hand E F♯ G♯ A B C♯ D♯ E F♯ G♯ A B C♯ D♯ E 5 4 3 2 1 3 2 1 4 3 2 1 3 2 1

Common fingering mistakes

The most common slip is playing the right-hand D♯ with finger 5 in a two-octave scale, which leaves no finger for the next note. Another is crossing too late: if your thumb only starts moving once G♯ is finished, you will hear a gap before A. Let the thumb travel under your hand while finger 3 is still playing. Finally, watch out for a heavy thumb. Because the thumb is your strongest finger, A and E often sound louder than the rest, so listen for an even tone across all eight notes.

E major vs C♯ minor, E minor and E-flat major

Several scales sound or look close to E major, and mixing them up is easy. C♯ minor is the relative minor of E major: it uses exactly the same seven notes and the same key signature, but starts on C♯ (C♯, D♯, E, F♯, G♯, A, B). All relative major and minor scales pair up like this, with the minor starting on the 6th degree of the major.

E minor is the parallel minor: it starts on the same note but changes three of them. G♯, C♯ and D♯ become G, C and D, giving E minor a darker sound and a key signature of just one sharp. Pairs like this are called parallel scales.

e major vs e minor scale

E-flat major is a completely different key. It sits a half step lower, has three flats instead of four sharps, and uses the notes E♭, F, G, A♭, B♭, C and D.

Scale Notes Key signature
E major E F♯ G♯ A B C♯ D♯ 4 sharps
C♯ minor (relative) C♯ D♯ E F♯ G♯ A B 4 sharps
E minor (parallel) E F♯ G A B C D 1 sharp
E-flat major E♭ F G A♭ B♭ C D 3 flats

Other scales to play in E major

Once the major scale feels secure, these related scales give you new sounds to improvise and play melodies with, all over the same E major chords.

E major pentatonic scale

The E major pentatonic scale keeps five notes of the major scale, the 1st, 2nd, 3rd, 5th and 6th: E, F♯, G♯, B, C♯. Leaving out A and D♯ removes the half steps, so almost any combination of notes sounds good over E major chords. Because it has no clashing notes, the pentatonic scale on piano is a favorite starting point for first improvisations.

E major blues scale

The E major blues scale adds one “blue” note, G, to the major pentatonic: E, F♯, G, G♯, B, C♯. Sliding from G to G♯ gives you an instant bluesy sound. Most lessons on the piano blues scale for beginners start with the minor version, and both versions sit happily over a blues in E.

Modes of the E major scale

Start the E major scale on each of its seven notes and you get its seven modes. They share the same four sharps but each has its own character. E major contains all 7 modes in music theory, which makes it a handy key for hearing how each one sounds.

Mode Starting note Notes
Ionian (the major scale) E E F♯ G♯ A B C♯ D♯
Dorian F♯ F♯ G♯ A B C♯ D♯ E
Phrygian G♯ G♯ A B C♯ D♯ E F♯
Lydian A A B C♯ D♯ E F♯ G♯
Mixolydian B B C♯ D♯ E F♯ G♯ A
Aeolian (natural minor) C♯ C♯ D♯ E F♯ G♯ A B
Locrian D♯ D♯ E F♯ G♯ A B C♯

Songs in E major to practice

Playing music in E major is the best way to make the scale stick, because you start recognizing its sharps as part of real melodies. Here are well-known pieces in E major, from classical to rock.

Piece Composer or artist Style
“Morning Mood” from Peer Gynt Edvard Grieg Classical
“Spring” (first movement) from The Four Seasons Antonio Vivaldi Baroque
Étude Op. 10 No. 3, “Tristesse” Frédéric Chopin Romantic
Prelude in E major, BWV 854 (The Well-Tempered Clavier, Book 1) J.S. Bach Baroque
“Candle in the Wind” Elton John Pop ballad
“Don’t Stop Believin'” Journey Rock
“Where Is My Mind?” Pixies Alternative rock

Grieg’s sunrise melody is a lovely place to start, and it ranks among the best piano pieces of Edvard Grieg for players at any level. Vivaldi’s “Spring” opens with one of the most famous themes in E major, and Vivaldi’s Four Seasons have been audience favorites since they were first published in 1725.

How to practice the E major scale

Short, regular practice beats long, occasional sessions. Five to ten focused minutes a day will take you further than one long session a week. If you are new to the instrument, learning how to play piano with good posture and a relaxed hand will make every scale easier.

Step What to do Goal
1 Right hand alone, one octave, up and down, at 60 BPM, one note per click Smooth thumb crossing onto A
2 Left hand alone, same tempo Smooth finger-3 crossing onto C♯
3 Contrary motion from the same E, both hands Matching fingers in both hands
4 Hands together, similar motion, slowly Both 3rd fingers on G♯ and C♯ together
5 Two notes per click, then two octaves Even tone at a faster tempo
6 Play the E major chord and its arpeggio Connect the scale to the chords of the key

Playing arpeggios on piano means spreading a chord’s notes into a flowing pattern. And if you want to hear the scale or check your fingering on screen while you practice, the Piano Scales tool plays every note and shows the fingering for both hands.

The E major scale gives you four black keys, a fingering pattern you can reuse in other keys, and a bright home for melodies and chords. Learn it hands separately, link the hands with the finger-3 checkpoints, and then bring it to life with a song in E major. If you would like step-by-step guidance and real-time feedback as you play, Skoove’s interactive piano lessons take you from scales to full songs at your own pace.


Author of this blog post:
Susana Pérez Posada

Susana Pérez Posada

Susana Pérez Posada, Master in Music Therapy, Skoove Piano Educator With over seven years in piano education and a deep passion for music therapy, Susana brings a unique blend of expertise to Skoove. A graduate in Music Therapy from SRH Hochschule Heidelberg and an experienced classical pianist from Universidad EAFIT, she infuses her teaching with a holistic approach that transcends traditional piano lessons. In her writings for Skoove, Susana combines her rich musical knowledge with engaging storytelling, enriching the learning experience for pianists of all levels. Away from the piano, she loves exploring new places and immersing herself in a good book, believing these diverse experiences enhance her creative teaching style.

Published by Lydia Ogn from the Skoove team

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